#foreignlanguagefilms

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Searching for Sugar Man: International Competition

Original language dramas are in several markets automatically labelled as ‘art house’ films (Ilievski, 2018). Petri Kemppinen, the CEO of...

Searching for Sugar Man: Europudding and issues of authenticity

The internationalisation of European cinema has also attracted negative associations, with critics branding certain multi-national films...

Searching for Sugar Man: Validating the use of English language

The most common motive among the producers for the use of the English language in Nordic films has been the story; through either a...

Assignment - Acquisition report

As part of my studies, my recent assignment was to put together an acquisition report to theatrically release the Japanese suspense...